A double batch of banana bread, (one for now, one to freeze), strawberry shortcake with garden strawberries and soft mounds of fresh whipped cream, cat naps, an excellent book, Anthony Doerr's new novel, All The Light We Cannot See, carving stamps with inspiration from Geninne's lovely book, Making an Impression, making thank you notes from the stamps and using neon yellow ink!, smelling the roses that are in full bloom around town, finding two flour leaf clovers on a long morning walk, and enjoying a little bit of rain.
Accepting new photo projects!
Over the past several years I have enjoyed photographing events and daily moments for friends and family. I love to photograph people simply being themselves. And in recent months I have been sharing some of those photos with you here on my blog, in addition to photos from scenes about town.
Above is a sampling of my work which includes child, engagement, family, group events, and daily life. Lawrence area folks, if you or someone you know are interested in infant, family, simple gathering, party, event, or other session, feel free to contact me. You may email me with questions or to talk about rates. Thank you!
Also, you may visit my photography page for a sampling of additional work.
Before you spoke to me... a new painting in stages
This is another one of those canvases that I began last year and then set aside. So the top image shows where the current painting began. Little remains from that stage, except the title, which was still important to me. This painting had a dark, cloudy stage, as you see on the left side. What worked in my sketchbook entry wasn't working in the painting. Neither was that early shell-like, cupped shape. I replaced it with the tall rectangular shape with rounded triangle points. After working through those issues, this painting flowed pretty well. I like the whites, and drawing with black. I have this one old brush, the metal ferrule is falling off and is just taped on, but it's my favorite for drawing some of those lines. It does what I like pencil to do in paper drawings. My recent goal has been to transfer my drawing and sketchbook ideas to canvas. I want the paintings to feel spontaneous, somewhat drawn, and have the paint qualities that I love, while also evoking a sense of having been through a journey of sorts. This painting balanced those aspects for me. I'm happy with it. Below is the finished work.
It occurred to me as I was about to hit the publish button, that you may be wondering what this painting is all about. Are you? Some people I think are content to let their eyes rest on those things that they find appealing, without minding if it says anything to them. Sometimes we just like things. Maybe you're not one of those people. Maybe in order for you to connect with a piece of art, you need to know what it means. Well, this painting, as in many of my works in recent years, is about finding hope. Working through trials, struggles, loss, grief, uncertainty, etc., and finding hope throughout the way, and on the other side of the process. We all have hard times at one point or another, some of those times are brief and others are long lasting. We each encounter our own desert. We don't know how long we're going to be in that desert. The uncertainty of how things will work out, or will they work out at all? (Pause.) Well, I believe so. Though that doesn't mean it always feels like it will work out, or that things work out the way we want. So I think for me, these paintings, in their finished state, and in the process of their making, reflect the going through these life events. Sometimes it helps me to have an eternal or big-picture perspective, (which isn't necessarily easy). To be like a bird looking down on everything, to see how the steps along the way equal up to one glorious thing.
Do you relate to any of that?
The garden at night
Last night, as in recent evenings, we have been outside in the garden until dark. Matt has been planting summer crops and installing soaker hoses. Mostly I chat about the day. I think I now have all the flowers planted, including lots of wildflowers, gladiolas, cockscomb, oxalis, zinnias, marigolds, calendula, herbs, and more. They're sprouting pretty well. And as happens in spring and summer, supper is usually around 9-9:30. We've been picking lettuces, arugula, spinach, and radishes for our salad suppers. Yum yum.
And as I mentioned the other day, here are a few shots of the coffee shop that my husband and his company just renovated. It's a building they own and is adjacent to their former shop site. (They just moved to a new shop space; a bike shop will soon be opening in their previous shop space. A lot is happening!) The coffee shop, called Decade, is run by Louis Wigen-Toccalino and has been receiving some really nice local press. I'm so proud of them! You can see more at their website.
From my sketchbook
I was thinking the other day as I was working in my sketchbook, how I love working with the white space of the paper. But my recent entries are completely filled. I find myself actually painting and drawing around shapes so that little white is evident. Not sure yet to what this shift alludes, but for now I'm content with it.
We did see Finding Vivian Maier this weekend. Have you seen it? I completely recommend it. We both really liked it. I have a book of her work but the movie brings some personal bits about her life to light that I found surprising. She called herself a mystery woman, and I think she still is in a way, despite all the evidence she left behind. I have admired her work since John Maloof started the blog several years ago and put up a few images. Her eye is so intriguing to me.
On a side note, as I'm typing this, my studio door is open and the wrens have returned to nest in the bird house by the balcony. Their song is piercing, I love hearing it. I missed them last year, for whatever reason they didn't choose the little bird house. Though in 2012 they had two broods. I am excited they're back.