A small collection of my recent sketchbook entries. The first one is from today, with the written thought, "If a painting's title could be a sound." In the second one (top right) I set up a color exercise by continually adding to one color, rather than hopping about the palette to whatever color I chose. So essentially, color + color + color, and so forth. This process made some muted values and tints that perhaps stretch a bit beyond my norm. And in the bottom right entry, sometimes I like to simply look at an object and draw it, in this case, flowers to beckon spring.
Pastel play
Last week at preschool we got out chalk and artist's pastels for the children to use and it lit a spark in me to dig out my old tackle box of pastels. So on Saturday, I did just that. (Sometimes I have to do things right away when I think of them, or it passes me by, or I get distracted, or instead do what I am supposed to be doing, which was finishing my taxes.) But anyway. So I found some drawing paper and spread out a little space on the floor. It's been many years, probably at least a dozen, since I've drawn with pastels. I like their softness, and something about them reminds me of gouache, and the loose dirt of New Mexico. Strange associations, perhaps. In recent weeks, Saturday afternoons have become a time when I allow for experimentation and exploring. It's exciting and reaffirming to do this. Also, I've been making some wood spoons, stirrers, and hair pins from scrap wood that my husband has. Sometime I'll show you those.
Your homework: Give yourself permission to do something different and play.
Snaps from the studio
Lately I've been spending time in the downstairs studio painting the next five foot canvas. In winter it is so nice and warm in there with the big south facing windows. My painting corner is on the north side and I never need any artificial lights. The painting itself has progressed even since I snapped this photo of it. Painting big is something I really am enjoying and learning to do it in my way. To keep a sense of intimacy, like within my sketchbook, I weave small brush strokes, dabs, and details together and work a quadrant at a time. Maybe it's like making a quilt, a piece at a time? Anyway, the eye has to meander, has to journey across the piece. As I have been working on this painting I realize that I walk away without a clear image of it in my mind, rather, with more of an impression. The composition just isn't so simple that it sticks in your mind like a bullseye. I like (looking at and creating) work that makes you curious and come back to meet it again, to discover what you didn't see the first or second time.
Photos from Dolphin Head
These are the last of the photos from our South Carolina visit in December. I've been intending to share these for some time, and even had them all ready in a draft, but for no particular reason I just hadn't published it. So here they are. This was such an interesting place, Dolphin Head, to which I hadn't been. It was a drizzly day but we didn't let that keep us inside. I so like walking about and seeing new things, especially with my camera. Lately I've been sensing it's time to either look at the world around me with a freshness, or take a little jaunt. And since I don't see a little trip happening, I better figure out how to make things that I've seen so many times, look interesting again. There is a skill or mindset to that, I believe.
Sketchbook pages from the first week of January and an Inspiration list
I thought I'd share a few pages from my sketchbook, entries from these first days of January. At the end of December I ordered a new sketchbook for the year and a bunch of pens and brush pens. The order didn't arrive in time so luckily there were a few pages left in last year's sketchbook that I could work on. I anticipate by the end of this next week I'll be starting the new one. I like that this sketchbook will be completely full of entries. It's been fun working with new materials, ones that I can keep in a small box to use in the house. I've been spending a little time of a morning after breakfast or evening before dinner working at the dining table in my sketchbook, bookending the day with that time of quiet.
Inspiration list: documentaries, a book, and an online project:
- For some reason, I've been on a documentary kick lately. Here's three favorites:
Ordinary Miracles: The Photo League's New York
How to Make a Book with Steidl
- Also I have been enjoying perusing the pages of Katrina Rodabaugh's new book, The Paper Playhouse.
"Focused around accessible, everyday materials like shipping boxes, shoeboxes, junk mail envelopes, newspapers, maps, found books, and other paper ephemera, The Paper Playhouse has 22 projects aimed at inspiring modern families to create unique paper crafts. It includes artwork by over 20 leading contemporary artists in the curated gallery section; offers original quotes from celebrated authors, directors, and artists throughout; and is packed with gorgeous, original photography by award-winning photographer, Leslie Sophia Lindell."
I'm also pleased to have a few of my paper pieces in the gallery section along with so many great artists.
- My new favorite online project is To S and From S, letters between friends by Shari and Sheri. If you haven't visited it, you must.
I hope your new year is off to an inspiring beginning.